I’m not sure what the time setting is: a bit more modern than the Forties. Our heroine (Lily James and still nameless, as in the novel) is romanced in Monte Carlo by handsome widower Maxim de Winter (Armie Hammer, sporting an English accent that suggests he was voice-coached by Prince William). He takes her home to his magnificent coastal house Manderley (not sure it’s still in Cornwall – no echoes of Poldark that I could spot). Here we meet the formidable Mrs Danvers (Kristin Scott Thomas) who has kept Manderley – and herself – as a shrine to Rebecca, the first Mrs de Winter who drowned a year ago.
Mrs Danvers is the key character. In the 1940 version her obsession with Rebecca was threatening and creepy – it was even possible to read in a lesbian undertone. Kristin Scott Thomas is heroically starchy and becomes subtly sinister, but this year’s script makes her more patronizing than obsessive, and the battle between her and the new wife is more a power struggle rather than a study in psychosis.
|The 1940 Alfred Hitchcock version|