They’re saying you don’t need to be a chess aficionado to enjoy this, but the games are totally central to every episode. Non-chess fans must surely wonder what the hoopla is all about.
9-year-old Beth Harmon is sent to a near-Dickensian orphanage in Kentucky after her mother’s death in a car accident. An immigrant janitor (Bill Camp) introduces her to chess and unleashes a prodigious talent. Fostered in her teens in the mid-1960s, she is soon meeting – and beating – champion players at state, national and international matches.
All the men in the story are chess nerds. Beth sleeps with a couple of them and lives with one for a while, but chess is her only real passion. The death of her foster-mother affects her less than losing a match.
Queen’s Gambit boasts superb sets (mostly hotel rooms and tournament venues) and fine performances, notably from Anya Taylor-Joy as the enigmatic Beth. Production values are very, very high: I particularly liked the stalactite chess moves Beth visualizes on bedroom ceilings. But the emphasis on the games completely swamps the story. The deaths of both her mothers lack emotional heft, as do her brief romances. This might have been better as a two-hour movie. Style triumphs over substance, but it’s a substantial triumph. And if a few thousand youngsters swap video games for chess, the series can be deemed a double success.